![]() ![]() ![]() This prepared him for comics, which, in turn, launched him to become a crucial cog at Marvel during a creatively fertile period. During this run of his professional career, he had the good fortune to work with “underground comics genius Bobby London” on his Popeye strip among other names. The first step into publishing for Moore came in the form of a gig editing books in large part focused on comics for St. ![]() While the future writer and editor held Steve Gerber’s HOWARD in high regard-making his way later work on SPIDER-MAN: BACK IN QUACK and DEADPOOL THE DUCK finely-feathered wish fulfillment-he credits the cosmic creativity of Jim Starlin on WARLOCK as well as Walter Simonson’s unparalleled tenure as writer and artist of THOR as “crazy-smart books that paved the way for a lot of the great '80s and '90s titles.” ![]()
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